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Ngilpirr Spider Snell

Name: Ngarralja Tommy May

Ngarralja Tommy May - Kurtal, Kaningarra and the Canning Stock Route [ORAL HISTORY]

Other Speaker/s: Ngilpirr Spider Snell, Jukuja Dolly Snell

Synopsis: Tommy talks about his painting Kurtal and Kaningarra, and tells the Jukurrpa story of these two. Tommy and Spider Snell talk about taking care of these two jila today, and who is left to look after Kurtal and Kaningarra. He talks about seeing bullock for the first time near Well 42. He talks about cultural and law boundaries throughout the Canning Stock Route Coutry and how kartiya doen't know about thes boundaries.

Date: 8/16/2007
Art centre(s):
Language spoken: Kriol, English
Catalogue number: CSROH_27_Ngarralja_Tommy_May
Interviewed By: Nicole Ma; ABC 7.30 Report reporters
Transcribed By: Monique La Fontaine
Recorded by: Nicole Ma; ABC 7.30 Report
Location Described: Kurtal, Kaningarra
Location Recorded: Nyarna, Lake Stretch
Latitude/Longitude: -19.0796/128.2542

Cultural Protocols: PUBLIC ACCESS - RESTRICTIONS ON USE
Access: PUBLIC
Notes: Recorded by Nicole Ma with ABC 7.30 Report/ Landline. It is likely the male reporter asking questions in this footage is David Mark. There were notes and corrections made to this story when the permission was gathered on 3 September 2008, these notes have been included in this transcript.
Full transcript:
Tommy May: Yeah, right through.

Nicole Ma: And what do you remember about this place from before?

TM: Yeah, this place right. We walked from desert, we been right around here, all around, when I was a kid. With my mother and my uncle. One of them, his father for Tax, Richard Tax. He up in Halls Creek, eh. Old people home. Richard Tax. That’s my cousin brother. He from this Country too. I know all of his family around in Balgo and here.

NM: What do you remember before the Stock Route came?

TM: Ah, that stock road I know is before all that, whitefella, kartiya [white man] bloke in the road been just, still I reckon only lately. That road been put, [by] all those Canning mob, whoever been working on that road, lately. But we trust this bloke. Dreamtime. That really true. And before it used to be blackfella Country, they used to walkin to Kurtal and walk to, what that place um, Kulyayi, or way down another place too. They was walking down, all around, walk around. See? Before that Canning Stock Road. That Canning Stock Road they been only put it lately. Still, lately, name. It wasn’t Canning Stock Road before. Before was a, now can’t drovin there. Nothing. Before that drovin, still lately. I say only yesterday. Before was just nothing: blackfella Country. Soakwater, jila [spring], jumu [ephemeral water], rockhole, that area.

NM: And now what?

TM: Now it’s Canning Stock Road now. For anybody to use. That camel man been working for the well, still lately. Before, these two man [pointing to painting of [Kurtal and Kaningarra], Dreamtime stories and before used to be blackfella Country this.

NM: Ngarralja, when you were a little kid in your Country what stories did you hear about the stock route?

TM: Still, I heard the cattle drovers still, but nother mob tell me jila [ancestral being, spring] side still very important Dreamtime stories really. Yeah. Dreamtime for jila, all of those stories. What jila been living in there, anywhere, in the hill or rocky Country. Dreamtime was before that, that really true. And this two person was a really true. Before, early days when I been a kid, might be before I been born, these two waterholes they been looking after, cleaning all the time. They, this mob [Kurtal] they used to come down to this mob, Kaningarra, Kaningarra. I know these people for that side, for old people. That’s the looking after Kaningarra. Keep it clean and sometime make it rain. That same two for that thing, story.

NM: It’s that old man. [Spider Snell sits down]

TM: Yeah. He know these stories, two, these two [Kurtal and Kaningarra jila].

Spider Snell: [asks question in language, nganayi]

TM: No, purrku [husband], Kurtal and Kaningarra

SS: Yeah, Kaningarra, Kurtal.

TM: [pointing] This one Kaningarra, Kurtal.

SS: [pointing] Kurtal here, Kaningarra there.

TM: That’s the one we sing and dance with these two. Anytime. For KALACC [Kimberley Aboriginal Law and Culture Centre], KALACC …

SS: [pointing to Kaningarra?] Shut him up, this one shut him up today, no more …

TM: No more today, nothing.

SS: No juju [song and dance] [gestures wide distance] juju, might be. [Speaks in language.]

TM: No more Kaningarra, no Kurtal, nothing.

NM: No more?

SS: Mm, all in Bayulu, what name [meaning sorry camp] ...

TM: Someone passed away in Fitzroy.

SS: Yuwayi [yes], Jakarra [Skipper].

TM: No more this one song.

SS: They been shut him away, leave it.

TM: Some day they can dance after one year, over.

SS: Only, any time [language], wati kujarra [two men] for Kaningarra there, Kurtal …

TM: This one [Kaningarra] he got no really boss. No one looking after properly. That jila [ancestral being, spring], cleaning up.

NM: No one’s looking after it?

TM: Yeah. This one [Kaningarra]. This one right [Kurtal].
[Both men pointing with their sticks]

SS: Oh, boss, right. [speaks in language] ... ngaju [points to Kurtal] this one boss [I’m the boss for this one].

TM: For this place, this place used to be before, keep it clean. Old people, jila people.

NM: [XX – indecipherable, referring to young people for Kaningarra?]

TM: They don’t know nothing. He lost that water hole. People used to live there. Kurtal help clean that special way. Very sad.

Dolly Snell: Ah, yawi [poor thing].

SS: Wayampajarti, nganayi [what’s this one]… Nyirla, Yawul [near Kaningarra] Wayampajartu [drawing in the sand] …

TM: No, these two [pointing to painting].

SS: Yeah … [XX – in language] make, Kurtal. I been shut him up.

[Dolly stands between the two men.]

NM: Dolly sit down, sit down. [Spider tells Dolly to sit in language]

[Dolly moves to left of Spider.]

NM: Stay there! [In the middle]

DS: No, I sit down here [looks at painting, camera moves to include her.]

TM: Story I did for all that road, well, putting well, still after, lately. These two first, Dreamtime. Jukurrpa [dreaming]. All of the Jukurrpa. Dreamtime, stories. And people used to walk up and down in the blackfella Country before, no worries.

SS: [In language: I took Kurtal dance to America and all around the world, everywhere. Dolly interjects and revises his story, he laughs and continues, Dolly adds to it.]

NM: Spider, do you know any stories about the Canning Stock Route?

SS: Yuwayi [yes], that one all the way.

TM: My story is finished.

SS: I’m have to go stock road, stock road any time, go. Yangurta time [XX] yawarta [horse] time.

[Dolly speaks in language referring to Tommy having made the painting they’re looking at.]

TM: My mother been taking me around here when I been a kid. To this place and this place, no worries. Show me waterhole, names.

Male Reporter: Tell me what Country you were in when you first saw the bullocks and the drovers?

TM: Ah, near Kurtal Country. Come from Kurtal to Canning Stock Route just for walk around with George Lee father, Ned Jamili. Way down desert, yeah.

Male Reporter: Were you just a boy?

TM: Yeah, me and my brother.

Male Reporter: What did you think when you saw them?

TM: See all the dust, drovers from here, and we come across for meat, for bullock. We knew some family was there. [Laughs] Married some fella, they want a tobacco, old people. That niki niki [tobacco] init? Kartiya [white people’s] tobacco.

SS: Yeah niki niki tobacco.

TM: Niki niki tobacco and flour might be, yeah.

Male Reporter: What did you think of the bullocks when you saw them the first time?

TM: No, I never come there. Frightened of big bullocks. I know one galloped at us near one place, another well the other side of Kulyayi. You might have come through, know that place? What they got here? 42. The Well. 42. Yeah, we been walk around there.

NM: You went there?

TM: Chasing all the rabbits. Did you see all the rabbits there? Rabbits, should be plenty there.


John Carty: Wallabi [Charlie Tjungurrayi] said there was a big mob but we never saw them. He said in that tali [sand hill] there …

TM: Scrub Country.

JC: Yeah, near the lake …

TM: Yeah, scrub Country [XX] place. [Film skips forward] No, no, no. [Skips forward again] Here in Balgo, and go back from Balgo to Lamboo Well there and from there we heading to another place. Through Fitzroy Crossing way. We was a kid. Lot of our people, old people, brothers, these days, brother, uncle they been already working in station. We couldn’t find anybody behind. [Chuckles] That’s why we went.

Male Reporter: So you left the Country?

TM: Yeah, but still now we think back to Kurtal. I been there now lately. Yeah.

Male Reporter: What County did you go to when you left?

TM: From here? Ah to Christmas Creek. Way down to long way to near Derby Country. Work around. Kid time.

Male Reporter: Was that when you where still a boy?

TM: Yeah, Meeda, Meeda Station. Man grow up there, ride a horse. Stock ringing job. Yep, wali, nyamu [that’s all, finished]. Yeah, me and my, I know, Richard Tax, he’s my really cousin brother. He from Kurtal Country.

SS: Desert country, Kurtal.

TM: Mariya janu [XX], he finish up in there in Halls Creek, yeah.

SS: Ngurra ngurra [Country, home is Kurtal].

TM: His Country is this place, Kurtal Country.

Karen Dayman: Ngarralja, do you still take your sons and Spider’s Grandsons back there now? You been doing ceremony at Kurtal and ...

TM: Yeah. Japeth [Rangie – Spider’s grandson], Thomas [May – Tommy’s son], they went.

SS: [In language] Japeth went there ...

TM: [smiling and pointing at Tom Lawford] This bloke was there too. [Laughs] Yeah, when that water was still full!

NM: But you said that no one is looking after it anymore?

TM: No, this place little bit [Kaningarra]. Not this place, we visit. When that no water we go a clean em this place [Kurtal]. He only shallow. He not, he ...

NM: You still wanna do that?

TM: Yeah, when he dried up. Might be dried up I don’t know.

SS: Might be dry or might be nothing ...

TM: It’s very important for us poor fella. It’s old people home there.

SS: All finish. Old people finish, langa this one there [Kurtal].

TM: Jila people. All the Lawa Lawa mob. You know Lawa Lawa?

SS: Lawa Lawa, this one father [pointing to Dolly] This one father, properly, Kurtal. And me too, but little bit outside me.

TM: That’s why you got no good road eh. To Kurtal. No you right. [chuckles]

NM: Do you want to get a road there?

TM: No, somebody might be come along behind eh, leave it quiet, eh. [To Nicole Ma:] Eh?

NM: Remember you asked me to build a road?

TM: Yeah. One time ago.

DS: You want to make it manga [girl]!

SS: Yeah, gotta make it.

TM: No nganayi [what], somebody might come along, tourist. Eh? Tourist, visiting, I reckon.

NM: To make a road they’ll all be there?

TM: Yeah.

DS: All can’t visit em kartiya [white people] langa there you know, that jila [spring].

TM: No.

DS: Yeah but one side where there might be, nother road.

TM: Not from other way.

DS: Yeah.

TM: Kulyayi side they might be come from cross way.

NM: You know they can go from the Canning Stock Route?

TM: Yeah, easy.

SS: Only one side, Stock Road …

NM: Helena Springs and then they’ll find it.

TM: Yeah easy. And they make camp there, big camp.

SS: [XX - speaks in language, says they’ll have to grade it]

TM: There was one man. One man he must be been running around there, one blackfella, in that Country, early days. That, who that bloke? Jangala bloke [Daniel Vachon] he was reading in the book eh. One Camel man come along, he had five camel I think.

KD: Carnegie.

TM: Carnegie. Carnegie, that’s the bloke eh. And he come, find that blackfella, walk around in the bush and kartiya [white man] want to find the water. Camel man eh.

And he saw that blackfella and he ask, ‘Any water?’ ‘Yeah, we know. I know, water here.’ He might be meet him in somewhere, other side eh. In Warla Country. Warla. He been ask for water, ‘Yeah, I’ll take you down to water.’ But he never tell him with English. I don’t know what he been do [chuckles] He might ‘Wiya nga katikunanta’ ‘I’ll show you.’ He might be take him to that Kurtal now. Show that big waterhole. They been stay there for five days. Story about there, camel man.

NM: Is that true?

TM: Yeah

NM: Carnegie was it?

TM: Yeah, his daughter init [isn’t it]?

KD: Helena.

TM: Helena, yeah. Man that, he had, now he lately, he’s name of, in that girl name now, that Helena Spring. Yeah. He had daughter behind, eh? Live.

NM: So he named that spring after his daughter?

TM: Yep, there now, Helena Spring.

[Film skips forward …]

TM: One been, might be one of them Lawa Lawa family, Lawa Lawa family, he been know that water. That kartiya [white man] couldn’t find water. And they been take him to that place, big water hole, [XX] he springing all the time see.

SS: Dead [?]

NM: Because why, why is it always dead [?], the water?

TM: No, he all the time, shallow thing, lotta spring water, lotta strong. He bubbling from under too. Under the gate [?] he in a good Country, not in hill, not in billabong, not in river, just in bush Country. Oh, you saw [to Nicole Ma, smiling] no, no, you never seen it properly, he was cover up [with water].

NM: Yeah, I haven’t seen it properly.

TM: Yeah.

NM: Maybe next time.

TM: Yeah, next time when dry time. But dry time you not allowed to stop there looking at the waterhole, you gotta be bush. All the woman bush, he did it [pointing to Karen Dayman?] all this mob, only man work, only be man, one time. Right down, like sunset, when everything finish, someone gotta call you out, come to waterhole, come to that place. After all the work finish. They used to do that too before when I been a kid. Stranger, only for law really, really hard. You gotta have water in drum or jerry can or whatever. Karen’s right. Yeah. All for old people for. Really punish, punish[ing work] for young people, gotta learn that way.

NM: Where are all of the old people then?

TM: No they work. They in the waterhole, gotta be work all the time. Old people. Or young people. Got to work by all the skin group too. That water got a skin group. Law for that water. Kurtal story. Mm, yeah … Yeah, Kurtal he not far from ... [ends, tape skips forward]

Male Reporter: What do you think about telling these Aboriginal stories about the Canning Stock Route?

TM: Well there is, very important thing for early days, really. This thing about before that Canning road been put up that, whoever been workin’ camel, making the wells, still lately. Mmm. I reckon it used to be blackfella Country before. All the jumu [ephemeral water], jumu like soak water.

Male Reporter: Why do you think it’s important to tell these stories?

TM: They don’t know anybody. They might be, they might be … [tape skips forward]
… and nother one round here, but they gotta come careful way, you know. Respect nother elders in front. Come there they gotta learn different way. But there they used to have a business might be, kid time, he right. Marlulu [law – boy’s initiation time]. Whoever know the Marlulu. Law time. He right. Palya [good]. Not just walk in anyway. No. Danger.

JC: Do you think that today, like when you see the map you just see the one road Canning Stock Route, that’s all kartiya [white people] see, do you think kartiya understand those boundaries you are talking about now?

TM: No, nothing.

Male Reporter: How did that road change what you are talking about, the blackfella travelling out there?

TM: He change, still lately. Might be been a lot of law ground there. Dreamtime. Whoever been live there early days really. And they been just claim all other boundaries, and nother boundary. They don’t care about. No respect really. Nothing. No. That white kartiya law not like blackfella, no. Blackfella got to respect, respect nother people, nother tribe, other language. Old people good stories. Yeah. He right. Today, lately. Any whitefella can through any … [tape jumps forward]

People get killed over there. Yeah, from not crossing, too rough, come to that nother tribe, other side. Making trouble, something wrong. Get speared, yeah. Someone might be get sing, mad. That blackfella way, early days. You gotta respect elders there. Not too rough. Not walkin anywhere.

Male Reporter: Do you know stories about people being killed because of the Stock Route?

TM: Oh, not for, before that. Before that everywhere too. You can’t come to cross to law time there, now lately too. You come too rough there nother way, and they won’t like you. Too rough. They gotta come really careful or manners, respect, he alright.

Male Reporter: And today you got tourists going everywhere.

TM: Mixed. Don’t know where they go. That’s why all the law finish. Mm. Grog too much

SS: Mmm mm.

TM: Another thing, ganja, drink too much, lotta business still there for old people. Yeah. All the marninwarntikura law [women’s law] there. I been grow up in different old people. They was telling me story, don’t, not to be do that. My time. I used I used to live in young people or old people in the, we get them, not in woman mix, kid time. That’s where you learn, get all the idea here, learn you there. Come good people, careful. That’s it. Not mad way. Someday you get spear through you. Nulla nulla [speared] in the head.

Yeah. That’s it.

END


Source: CSROH_27_Ngarralja_Tommy_May

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

Kurtal

Story:Before Kurtal turned into an ancestral snake being and entered the 'living water' or permanent spring that bears his name, he was a man. In the words of Kurtal boss Ngilpirr Spider Snell: 'A big rain came. After the rain, grasses started to grow. From the grass Kurtal turned into a man.'

'Kurtal travelled to Jintirripil, a jila near the sea, who asked him to stay for good. Tricking him, Kurtal agreed. Jintirripil told Kurtal to find the jila Paliyarra, who had stolen his sacred objects.

'Paliyarra knew that Kurtal had come to steal back Jintirripil’s objects. He told Kurtal he didn’t have them but Kurtal could see the lightning flashing inside him. Paliyarra set his dogs onto Kurtal. Badly bitten, Kurtal tripped over Paliyarra, who spilled the objects on the ground. Kurtal kicked them towards his jila.

'Kurtal stole more objects from other jila, then went to visit his friend Kaningarra. Kaningarra asked Kurtal to stay with him there forever. Tricking him, Kurtal agreed, saying, "You lie down over there and I’ll lay down here.” Kaningarra went into the ground, turning into a snake, and Kurtal took off for his country.

'Getting weak, Kurtal crawled inside his waterhole with all his stolen objects and turned into a snake.

'That’s the song "Kurtal wanyjurla wanyjurla" we sing. He sent up a kutukutu [rain bearing cloud] like the ones I made at Kurtal.'

This is Kurtal's song:

'In the north-west I saw leaping fish sparkling in the sunlight. Carrying the sacred object I wade through the water. The waves carry me down to the depths. In the north-west I saw a seagull. The seagull was speaking. I saw lightning flickering in the north; I was the rain cloud. I am Kurtal. I bring the meat and make the country fruitful. The wind is wild, the lightning flickers in the sky. Up there Kaningarra is crying. The wind roars. I am Kaningarra, the great rock. Look to the south. That flat ground is sloping now. Who is that coming after me? I am a maparn [magic man] but I’m losing my powers. Look to the west. See his headdress.' (Ngilpirr Spider Snell)

Media Creator:Tim Acker

Media date: 2008
Story Location: Kurtal

Media Description:Kids all ready to perform Kurtal. Majarrka Workshop at Ngumpan Community.

Story contributor(s):Karen Dayman, Monique La Fontaine, Ngilpirr Spider Snell

Art Centre(s): Kimberley Aboriginal Law and Culture Centre, Mangkaja Arts Resource Agency
Publisher: FORM
Media copyright: FORM
Accession ID:20131024_FORM_MIRA_B0046_0001

This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

Jila Men

Story:The nothern end of the Canning Stock Route crosses the Great Sandy Desert. Here springs are considered 'living waters' and are known as jila. Some are inhabited by ancestral beings and many of these jila are linked by Dreaming tracks that connect Countries and people. The ancestral stories of these sites are recorded in the songs and dances that cross the desert, uniting peoples through shared ceremonies and law. A number of these jila became wells on the Canning Stock Route. Of around 200 permanent springs or jila in this country, only about 30 are inhabited by powerful ancestral beings: snakes, which are also known as jila, or kalpurtu. Two of these jila, Kulyayi (Well 42) and Kaningarra (Well 48), became stock route wells. Before they became snakes, these jila were men who made rain, shaped the features of the land and introduced practices of law to the jila country. Many of the jila men were also companions who travelled the desert visiting one another, creating the ceremonies and singing the songs that the people of the jila country still perform today. One by one, the jila men ended their journeys at the waters that bear their names, and as they entered their jila, they transformed into the rainbow serpents, kalpurtu. These sites are of great importance to Aboriginal people and they can be as dangerous as they are vital. As places where rain is made, jila must first be ceremonially cleaned out by men. Crescent shaped banks are fashioned around the edge of the jila to signify kutukutu [rain-bearing clouds] before women are invited to approach. The dreaming stories of the jila men Kulyayi and Kaningarra are also connected to those of Kurtal and Wirnpa, two other important jila in this Country.

Media Creator:Nicole Ma

Media date: 2010

Media Description:Four dances are performed at the Ngumpan workshop, which took place at Ngumpan Community east of Fitzroy Crossing in late 2008.

Story contributor(s):Monique La Fontaine, Ngilpirr Spider Snell

Art Centre(s): Other
Publisher: FORM
Media copyright: FORM
Accession ID:DATE_FORM_MIRA_B0098_0001

This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

People beside the paintings laid out at Lake Stretch

Peoplebeside the artworks displayed at the Nyarna, Lake Stretch Artists Camp. Canning Stock Route bush trip 16- 18 August 2007.

Date: 8/16/2007 16:06:00
Photographer: Tim Acker
Location: Nyarna, Lake Stretch
Latitude/Longitude: -18.227/127.668

People: Richard Yugumbari (Yukenbarri) Tjakamarra, Charlie Wallabi (Walapayi) Tjungurrayi, Kuji Rosie Goodjie, Kampirr Veronica Lulu, Bill Doonday, Nankatji Josephine Nangala, Jamiya Chamia Samuels, Ngarralja Tommy May, Wijiji Anna Johns, Ngilpirr Spider Snell, Monique La Fontaine, WWuntupayi Jane Gimme
Art Centre(s): Warlayirti Artists, Ngurra Artists, Mangkaja Arts Resource Agency, Papunya Tula Artists, Paruku Indigenous Protected Area, CSR Project

Copyright: FORM
Format: Image
Category: Image
Source: 9.1 Canning Stock Route bush trip 16-18 August 07
Accession ID: 20131008_FORM_MIRA_B0011_0074

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

People beside the paintings laid out at Lake Stretch

People beside the artworks displayed at the Nyarna, Lake Stretch Artists Camp. Canning Stock Route bush trip 16- 18 August 2007.

Date: 8/16/2007 16:08:00
Photographer: Tim Acker
Location: Nyarna, Lake Stretch
Latitude/Longitude: -18.227/127.668

People: Richard Yugumbari (Yukenbarri) Tjakamarra, Charlie Wallabi (Walapayi) Tjungurrayi, Kuji Rosie Goodjie, Kampirr Veronica Lulu, Bill Doonday, Nankatji Josephine Nangala, Jamiya Chamia Samuels, Ngarralja Tommy May, Wijiji Anna Johns, Ngilpirr Spider Snell, Monique La Fontaine, WWuntupayi Jane Gimme
Art Centre(s): Warlayirti Artists, Ngurra Artists, Mangkaja Arts Resource Agency, Papunya Tula Artists, Paruku Indigenous Protected Area, CSR Project

Copyright: FORM
Format: Image
Category: Image
Source: 9.1 Canning Stock Route bush trip 16-18 August 07
Accession ID: 20131008_FORM_MIRA_B0011_0075

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

People looking at the paintings laid out at Lake Stretch

People looking at the artworks displayed at the Nyarna, Lake Stretch Artists Camp. Canning Stock Route bush trip 16- 18 August 2007.

Date: 8/16/2007 16:04:00
Photographer: Tim Acker
Location: Nyarna, Lake Stretch
Latitude/Longitude: -18.227/127.668

People: Richard Yugumbari (Yukenbarri) Tjakamarra, Charlie Wallabi (Walapayi) Tjungurrayi, Kuji Rosie Goodjie, Kampirr Veronica Lulu, Bill Doonday, Nankatji Josephine Nangala, Jamiya Chamia Samuels, Ngarralja Tommy May, Wijiji Anna Johns, Ngilpirr Spider Snell
Art Centre(s): Warlayirti Artists, Ngurra Artists, Mangkaja Arts Resource Agency, Papunya Tula Artists, Paruku Indigenous Protected Area, CSR Project

Copyright: FORM
Format: Image
Category: Image
Source: 9.1 Canning Stock Route bush trip 16-18 August 07
Accession ID: 20131008_FORM_MIRA_B0011_0069

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

People looking at the paintings laid out at Lake Stretch

People looking at the artworks displayed at the Nyarna, Lake Stretch Artists Camp. Canning Stock Route bush trip 16- 18 August 2007.

Date: 8/16/2007 16:02:00
Photographer: Tim Acker
Location: Nyarna, Lake Stretch
Latitude/Longitude: -18.227/127.668

People: Richard Yugumbari (Yukenbarri) Tjakamarra, Charlie Wallabi (Walapayi) Tjungurrayi, Kuji Rosie Goodjie, Kampirr Veronica Lulu, Bill Doonday, Nankatji Josephine Nangala, Jamiya Chamia Samuels, Ngarralja Tommy May, Wijiji Anna Johns, Ngilpirr Spider Snell
Art Centre(s): Warlayirti Artists, Ngurra Artists, Mangkaja Arts Resource Agency, Papunya Tula Artists, Paruku Indigenous Protected Area, CSR Project

Copyright: FORM
Format: Image
Category: Image
Source: 9.1 Canning Stock Route bush trip 16-18 August 07
Accession ID: 20131008_FORM_MIRA_B0011_0068

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

The artists looking at the paintings laid out at Lake Stretch

The artists looking at the artworks displayed at the Nyarna, Lake Stretch Artists Camp. Canning Stock Route bush trip 16- 18 August 2007.

Date: 8/16/2007 16:02:00
Photographer: Tim Acker
Location: Nyarna, Lake Stretch
Latitude/Longitude: -18.227/127.668

People: Nankatji Josephine Nangala, Bill Doonday, Charlie Wallabi (Walapayi) Tjungurrayi, Jamiya Chamia Samuels, Ngarralja Tommy May, Ngilpirr Spider Snell
Art Centre(s): Warlayirti Artists, Ngurra Artists, Mangkaja Arts Resource Agency, Papunya Tula Artists, Paruku Indigenous Protected Area, CSR Project

Copyright: FORM
Format: Image
Category: Image
Source: 9.1 Canning Stock Route bush trip 16-18 August 07
Accession ID: 20131008_FORM_MIRA_B0011_0067

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

Bill, Tommy and Spider

Bill Doonday, Ngarralja Tommy May and Ngilpirr Spider Snell sitting together. Nyarna, Lake Stretch Artists Camp. Canning Stock Route bush trip 16- 18 August 2007.

Date: 8/16/2007 16:12:00
Photographer: Tim Acker
Location: Nyarna, Lake Stretch
Latitude/Longitude: -18.227/127.668

People: Bill Doonday, Ngarralja Tommy May, Ngilpirr Spider Snell
Art Centre(s): Paruku Indigenous Protected Area, Mangkaja Arts Resource Agency, CSR Project

Copyright: FORM
Format: Image
Category: Image
Source: 9.1 Canning Stock Route bush trip 16-18 August 07
Accession ID: 20131008_FORM_MIRA_B0011_0079

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

Kinki

Story:In about 1942, Spider Snell was camped at Jikarn (Well 50) with his extended family when an old white cameleer pulled into the camp and offered them salted meat. Although it tasted bad, the people were hungry and ate it all. Soon after, Spider’s relatives travelled to Kaningarra (Well 48) where the old blind man Kinki had lived with his daughter. Unable to find them, they followed the old people’s tracks until they made a grisly discovery: Kinki and his daughter had been killed, butchered and salted by a man travelling with camels.

Old man kartiya [white man] came. He shot and killed old man Kinki and his daughter. They salted them and gave them to us at Jikarn. We thought it was goat meat. That old fella, [I called him Dad], my old man. We had a good feed. We didn’t know it was a human. We boiled some in a billycan.

All that time we were thinking it was goat meat. We all ate them. Nothing was left. It was old man Kinki, poor fella. It wasn’t good meat. It had no fat and it tasted horrible but we still ate it. They killed him and his daughter at Kaningarra. They cut them up and salted them. We ate my old man and my sister. Finished. That’s all.
(Ngilpirr Spider Snell, Fitzroy Crossing, 2007)

Media Creator:Tim Acker

Media date: 2007
Story Location: Jikarn (Well 50)
-20.20932/126.96442

Media Description:Ngilpirr Spider Snell and Jukuja Dolly Snell

Story contributor(s):Ngilpirr Spider Snell, Monique La Fontaine

Art Centre(s): Other
Publisher: FORM
Media copyright: FORM
Accession ID:20131024_FORM_MIRA_B0097_0002

This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

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