Murungkurr Terry Murray
Murungkurr Terry Murray - family and Country [ORAL HISTORY]
Synopsis: Murungkurr Terry Murray talks about discovering family connections through the Canning Stock Route Project, and the way he has family linked from waterhole to waterhole.
Art centre(s): CSR Project, Mangkaja Arts Resource Agency, Kimberley Aboriginal Law and Culture Centre
Language spoken: English
Catalogue number: CSROH_211_Murungkurr_Terry_Murray
Location Recorded: Parnngurr
Cultural Protocols: Public Access
Full transcript: Murungkurr Terry Murray: Ok cut … I mean go with it! [laughs] … sorry about that!
TM: Today we’re in Parnngurr, all day we are just having big meetings. Finalising the ... going through the book, the Canning Stock Route Book and talking to artists about what’s going in the book, the Canning Stock Route book, then signing off on the story lines, what paintings are hanging in the collection in Canberra at the National Museum – Canning Stock Route Project. Today was a big day for us. Trying to finalise everything and that everyone is happy, from the TO’s [traditional owners], the artists.
Nicole Ma: Were they happy?
TM: Yeah they were happy, and giving us more story on their painting and also on their biography and artist history, where they been born and what area they paint on the Canning Stock Route.
NM: What was the most interesting story for you today?
TM: Oh just, family connections, from my aunty. How, coming through the desert and how they are related to my mob, all still family connection from jila to jila.
NM: Have you heard that story before or was it new to you?
TM: I heard this story before, but coming from my aunty here in Parnngurr (about) the connection, I been told the story up in Mangkaja there. And coming here on this Canning Stock Route project, and yeah hearing the same story and how everybody is related.
NM: Was that special for you?
TM: It’s special. I had a laugh and good feeling in inside.
NM: Did she tell you about your [XX - ?]
TM: [She was] telling me about my grandfather and how he went walking through the desert picking new wives – walking from Japingka through to Wirnpa – getting wives and going back up – and how everybody is related today. Yeah it was a bit funny hearing it …
NM: Ah, so he walked along the stock route getting new wives all along the way?
TM: Nah, not the stock route, you know Lake Percival and Wirnpa, and how they are overlapping with the [XX - ?] people. How some lines of waterhole, jila, Great Sandy Desert. How Martu and Ngurra people all connected.
NM: Yeah, that’s interesting
TM: Yeah, it’s interesting. You know all this week we been talking about history. Before Canning made those lines of well it was all family groups, tribes and language groups that were related – how that connection in the Western Desert. Family tribes meeting other family in different jila and different waterholes in the desert.
So it’s a big movement now. How Canning made those lines on Martu Country you know, now days we are living, everybody moved – separated to different part of the Western Desert to different towns: Fitzroy Crossing, Newman, Jigalong, Balgo, Broome, Bidyadanga. And that connection is still alive today in the heart of the desert. We all still got that family connection and language connection. We all one mob. All one [Martu] people. And yeah ... Canning Stock Route is another history. It’s the European version, but now what we’re talking about is how this land, the Western Desert, is connected with Martu, with Aboriginal [people]. How daily lives were all connected back through song and dance and Dreaming and the desert.
Video format: DVD/MiniDV/Quicktime movie
Video recording: 103 Kimberley Approvals, Nov 09
Rights: Cultural Owner & Storyteller: Murungkurr Terry Murray; © FORM, transcript only
Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.