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Boys dancing

Boys dancing. Nyarna, Lake Stretch Artists Camp. Canning Stock Route bush trip 16- 18 August 2007.

Date created: 8/16/2007 18:43:00
Photographer: Tim Acker
Location: Nyarna, Lake Stretch
Latitude/Longitude: -18.227/127.668

Art Centre(s): CSR Project

Copyright: FORM
Format: Image
Category: Image
Source: 9.1 Canning Stock Route bush trip 16-18 August 07
Accession ID: 20131008_FORM_MIRA_B0012_0021

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

Ngumpan workshop, 2008

Location: Ngumpan

Date: 2008

Event Description: The late 2008 Ngumpan workshop revolved around the intergenerational transfer of cultural knowledge, and was one of the most transformative events of the project. Senior Ngurra artist Ned Cox, who had led the very first bush trip to Jilji Bore, was the instigator of this event. Coordinated by cultural advisor and senior translator Putuparri Tom Lawford, Ned and other senior men and women taught teenagers and children carving and ceremonial skills, and passed on the knowledge of important dances and body decoration to both young people and adults.
Four dances were performed by new generations at the Ngumpan workshop: little boys danced Kurtal, young men performed Majarrka and girls performed Mangamanga, all for the first time. One important ceremonial dance, Kaningarra, was revived for the first time in many years following the death of its custodian. The dance for Kaningarra, which is now Well 48 on the Canning Stock Route, was passed down to a new generation of Kaningarra people by elders from closely related areas.

Art Centre(s): Kimberley Aboriginal Law and Culture Centre, Mangkaja Arts Resource Agency, Ngurra Artists

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, Kimberley Aboriginal Law and Culture Centre, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

Yiwarra Kuju in Perth

Location: Perth, WA

Date: 2011

Event Description: The record-breaking exhibition of art and new media, Yiwarra Kuju: The Canning Stock Route returned to Western Australia as the cultural backdrop to the Commonwealth Heads of Government Meeting (CHOGM) in October 2011. Produced by FORM and the National Museum of Australia, Yiwarra Kuju was then open to the public throughout November at the Perth Convention and Exhibition Centre supported by a rich calendar of public program events including tours, talks and film screenings. Aboriginal curators and filmmakers, mentored on the Canning Stock Route Project over five years, gathered for its public showing to offer visitors a unique insight into the stories of the exhibition.
During its showing of only a few weeks the exhibition attracted 32,977 visitors, over 45 school tours as well as substantial attention from the media

People: Claude Carter, Steven James

Art Centre(s): Kimberley Aboriginal Law and Culture Centre

Media Description: Majarrka dancers painted up. One Road festival day, Yiwarra Kuju: the Canning Stock Route, Perth 2011.

Rights: Photo by Tim Acker

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, Kimberley Aboriginal Law and Culture Centre, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

Preparing the dancing ground

A tyre is dragged behind a car to prepare the dancing ground. Nyarna, Lake Stretch Artists Camp. Canning Stock Route bush trip 16- 18 August 2007.

Date: 8/16/2007 14:48:00
Photographer: Tim Acker
Location: Nyarna, Lake Stretch
Latitude/Longitude: -18.227/127.668

Art Centre(s): CSR Project

Copyright: FORM
Format: Image
Category: Image
Source: 9.1 Canning Stock Route bush trip 16-18 August 07
Accession ID: 20131008_FORM_MIRA_B0011_0047

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

Minyipuru

Artist(s): Jakayu Biljabu

Date created: 2008
Art Centre(s): Martumili Artists
Size: 187x121
Medium: acrylic on canvas

Artwork Story: This painting describes the journey of the Minyipuru while they were still travelling as a large group of sisters and their mothers. The white U-shapes represent them as they flew close to Parnngurr, where women’s law tells that an important event took place. Afterwards, they flew on to Kalypa. The dance for this site is performed by both men and women.

Artwork copyright: ©2013 Jakayu Biljabu
Catalogue ID: JB/183/MM
Protocols: Public Access - Restrictions on use

Photograph date: 2009-06-18
Photography copyright: National Museum of Australia
Format: Image
Category: Artwork

Artist(s) biography:
born about 1937
Manyjilyjarra language group
Purungu skin group
Punmu community
Martumili Artists
Jakayu was born near Pitu, east of Well 25, and grew up around Kunawarritji, Rarrki and Nyilangkurr, where her father died. In 1963, with her husband and extended family, she met the surveyor Len Beadell, who was grading roads for the Woomera rocket range. This meeting prompted them to join their relatives who were living at Jigalong mission. In 1982 Jakayu moved to Punmu community, where she lives today with her children and grandchildren.

Accession ID: 20131014_FORM_MIRA_B0045_0053

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

Kunkun

Artist(s): Nyangapa Nora Nangapa, Nora Wompi, Bugai Whylouter, Kumpaya Girgaba

Date created: 2008
Art Centre(s): Martumili Artists
Size: 124.5x294
Medium: acrylic on canvas

Artwork Story: The central water in this painting is Kunkun, an important women’s site belonging to Marlu Jukurrpa, or ‘kangaroo Dreaming’. This Jukurrpa is also significant within men’s law and contains elements restricted to initiated men and women. Despite the title, there are 57 named sites in this painting, 11 of which are stock route wells. These are places where the artists lived, where family members were born and died, and where ancestral beings left their power. Two younger women, Mary Njana and Jacinta Galova, helped the senior artists paint Kunkun. As they did so, they learned some of the stories, which are integral to education in desert cultures. After completing the painting, the artists travelled to Kunkun, where they taught young women the song and dance for this Country.

Location depicted: Kunkun

Artwork copyright: ©2013 Nyangapa Nora Nangapa, Nora Wompi, Bugai Whylouter, Kumpaya Girgaba
Catalogue ID: NN/NW/BW/KG/184/MM
Protocols: Public Access - Restrictions on use

Photographer: Jason McCarthy
Photograph date: 2010-02-18
Photography copyright: National Museum of Australia
Format: Image
Category: Artwork

Artist(s) biography: Nyangapa Nora Nangapa born about 1916 Manyjilyjarra language group Karimarra skin group Kunawarritji community Martumili Artists I was born near Lipuru. We went from Lipuru to Wajaparni and Kilykily. They looked after me there as I grew. I went east … and kept on going towards Balgo, travelling with the drovers all the way. Nyangapa lives at Kunawarritji and travels regularly between Kunawarritji and Balgo. She paints for both Martumili and Warlayirti Artists, and many younger artists describe having learned to paint by watching her example. Nora Wompi born about 1935 Manyjilyjarra, Kukatja language groups Nungurrayi skin group Kunawarritji and Balgo communities Martumili Artists Wompi was born with ‘pussycat’ (feral cat) Dreaming at Pingakurangu rock hole near Kunawarritji. As a young girl, she travelled north with the drovers to Billiluna and Balgo. Today she lives at Kunawarritji, but continues to travel regularly between Well 33 and Balgo, where she has many relatives. Wompi paints for both Warlayirti and Martumili art centres. Bugai Whylouter born about 1945 Warnman, Kartujarra language groups Purungu skin group Kunawarritji community Martumili Artists I saw whitefellas first time in Parnngurr. We were climbing up the hills [to get away]. Bugai was born at Balfour Downs and grew up around Kartarru (Well 24), Wantili (Well 25), Tiwa (Well 26) and Wuranu (Well 29). She travelled around Karlamilyi with her husband, and later with drovers on the stock route. In 1963 her family met surveyor Len Beadell, who was grading roads. They were taken to Jigalong. Kumpaya Girgaba born about 1945 Manyjilyjarra language group Karimarra skin group Parnngurr community Martumili Artists A respected law woman and cultural leader, Kumpaya was born near Kiwirrkurra and grew up around the Canning Stock Route. For many years her family avoided contact with Europeans, but eventually they moved to Jigalong mission to join their relatives. Kumpaya learned how to paint and weave baskets while visiting family in Balgo, Fitzroy Crossing and Patjarr. She is credited with introducing these skills to Martu people.
Artwork Diagram: kunkun_various_detail_corrections_purlpu_CSR_windy corner

Accession ID: 20131014_FORM_MIRA_B0045_0054

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

Ngilpirr Spider Snell

Born: about 1925

Language Group(s): Wangkajunga
Community: Fitzroy Crossing
Art Centre(s): Mangkaja Arts Resource Agency
CSR Project role: Artist, contributor
Skin Group: Jangkarti
Totem: Water snake
Country: Kurtal

Biography: I am jila. I am one of his lightnings. Ngilpirr is the senior custodian of the Kurtal jila and its songs and dances; he has performed and exhibited both nationally and internationally. Like many other desert people with strong ancestral ties to Country, he sees himself as inseparable from the place that gives him his power. As one of Kurtal’s lightning bolts, he passes on this power, and his knowledge of jila law, to his grandsons.

Photographer: Tim Acker
Photograph date: 2009
Photography copyright: © FORM
Format: Image
Source: Images - Catalogue
Category: People
Accession ID: 20131016_FORM_MIRA_B0090_0017

Provenance: This material is sourced from Ngurra Kuju Walyja — the Canning Stock Route Project, which was initiated in 2006 by FORM and developed in partnership with Birriliburu, Kayili, KALACC, Mangkaja, Martumili, Ngurra, Papunya Tula, Paruku IPA, Warlayirti and Yulparija artists and art centres.

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